シラバス参照/View Syllabus |
科目一覧へ戻る/Return to the Course List | 2022/03/28 現在/As of 2022/03/28 |
開講科目名 /Course |
英米文学演習/SEMINAR IN BRITISH AND AMERICAN LITERATURE |
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開講所属 /Course Offered by |
大学院/ |
ターム?学期 /Term?Semester |
2022年度/2022 Academic Year 春学期/SPRING SEMESTER |
曜限 /Day, Period |
木2/Thu 2 |
開講区分 /semester offered |
通年/Yearlong |
単位数 /Credits |
4.0 |
主担当教員 /Main Instructor |
原 成吉 |
科目区分 /Course Group |
大学院科目 専攻科目 |
教員名 /Instructor |
教員所属名 /Affiliation |
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原 成吉 | 英語学科/ENGLISH |
授業の目的?内容 /Course Objectives |
アメリカ詩の代表的な作品を詳細に読む。授業はレポーターを中心に、質疑応答を交えながら進める。 この科目は、外国語学研究科博士前期課程の学位授与方針(DP)ならびに教育課程の編成?実施方針(CP)が示す「実践的な言語運用能力と国際社会の多様性を理解する態度」と「文学分野において、適切な問題設定を行い、必要な先行研究の成果やデータ収集?分析ができる能力」、とりわけ英米文学研究分野におけるこれらの能力を高めることを目的とする。 |
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授業の形式?方法と履修上の注意 /Teaching method and Attention the course |
授業は演習形式で行います。現時点では、通常の対面授業を予定していますが、2024欧洲杯投注官网_沙巴博彩公司-官网平台の感染状況によってはZOOMによる遠隔授業になる可能性もあります。履修者は事前に担当者までご連絡ください。 | ||||||||||
事前?事後学修の内容 /Before After Study |
授業前にプリゼンの資料を読み、疑問点を整理しておくこと。発表後は、作品解釈をまとめファイルしておくこと。 | ||||||||||
テキスト1 /Textbooks1 |
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テキスト2 /Textbooks2 |
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テキスト3 /Textbooks3 |
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参考文献等1 /References1 |
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参考文献等2 /References2 |
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参考文献等3 /References3 |
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評価方法 /Evaluation |
毎回の授業のプリゼンテーション(30%)、および年2回のMLA書式に準じた作品論(70%)による。 | ||||||||||
備考 /Notes |
American Poetry: The Twentieth Century Vol. One New York: The Library of America, 2000. | ||||||||||
関連科目 /Related Subjects |
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到達目標 /Learning Goal |
英語圏の文学に関する修士論文のテーマを決定し、執筆できるようにする。 |
回 /Time |
授業計画(主題の設定) /Class schedule |
授業の内容 /Contents of class |
事前?事後学修の内容 /Before After Study |
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1 | Songs of Native American tribes | Close reading and analysis of Songs of indigenous tribes. | |
2 | From Leaves of Grass① | Close reading and analysis of "Song of Myself 1 and 52" | Read a provided material and prepare you questions and comments. |
3 | From Leaves of Grass② | Close reading and analysis of " I Hear America Singing" and "Poets to Come." | Read a provided material and prepare you questions and comments. |
4 | From Poetry of Emily Dickinson① | Close reading and analysis of Fascickle 1." | Read a provided material and prepare you questions and comments. |
5 | From Poetry of Emily Dickinson② | Close reading and analysis of "Fascicle 37." | Read a provided material and prepare you questions and comments. |
6 | Ezra Pound, “Hugh Selwyn Mauberley” | Close reading and analysis of "E.P." | Read a provided material and prepare you questions and comments. |
7 | T. S. Eliot. from "The Wast Land" | Close reading and analysis of "Burnt Norton." | Read a provided material and prepare you questions and comments. |
8 | Wallace Stevens. “Sunday Moening” | Close reading and analysis of "Sunday Morning." | Read a provided material and prepare you questions and comments. |
9 | William Carlos Williams. from Spring and All | Close reading and analysis of "The pure product of America." | Read a provided material and prepare you questions and comments. |
10 | H. D. from “The Wall Do Not Fall” | Close reading and analysis of "Section 1." | Read a provided material and prepare you questions and comments. |
11 | Marianne Moore. “Poetry” | Close reading and analysis of three versions of "Poetry." | Read a provided material and prepare you questions and comments. |
12 | Robinson Jeffers. from "Roan Stallion" | Close reading and analysis of “Shine, Perishing Republic.” | Read a provided material and prepare you questions and comments. |
13 | E. E. Cummings. “Spring is like a perhaps hand,” | Close reading and analysis of his "poempictures." | Read a provided material and prepare you questions and comments. |
14 | Hart Crane. “At Melville’s Tomb” | Close reading and analysis of “At Melville’s Tomb.” | Read a provided material and prepare you questions and comments. |
15 | Langston Hughes. “I, Too” | Close reading and analysis of poems of Harlem Renaissance. | Read a provided material and prepare you questions and comments. |
16 | Countee Cullen, “Herritage” | Close reading and analysis of “Herritage” | Read a provided material and prepare you questions and comments. |
17 | Stanley Kunitz. “Touch Me” | Close reading and analysis of “Touch Me.” | Read a provided material and prepare you questions and comments. |
18 | Kenneth Rexroth. “Spring, Coast Range” | Close reading and analysis of “Spring, Coast Range.” | Read a provided material and prepare you questions and comments. |
19 | Theodore Roethke. “Elegy for Jane” | Close reading and analysis of “Elegy for Jane.” | Read a provided material and prepare you questions and comments. |
20 | Richard Wright. “Selected Haiku” | Close reading and analysis of "five -seven -five syllabled English haiku." | Read a provided material and prepare you questions and comments. |
21 | Charles Olson. “In Cold Hell, in Thicket” | Close reading and analysis of “In Cold Hell, in Thicket.” | Read a provided material and prepare you questions and comments. |
22 | Elizabeth Bishop. “In the Waiting Room” | Close reading and analysis of “In the Waiting Room.” | Read a provided material and prepare you questions and comments. |
23 | William Everson. “Gale at Dawn” | Close reading and analysis of “Gale at Dawn.” | Read a provided material and prepare you questions and comments. |
24 | Woody Guthrie, “Talking Dust Bowl” | Close reading and analysis of “Talking Dust Bowl” and lyrics of folk songs. | Read a provided material and prepare you questions and comments. |
25 | Muriel Rukeyser. “The Book of the Dead” | Close reading and analysis of “The Book of the Dead.” | Read a provided material and prepare you questions and comments. |
26 | Delmore Schwartz. “In the Naked Bed, in Plato’s C | Close reading and analysis of “In the Naked Bed, in Plato’s Cave." | Read a provided material and prepare you questions and comments. |
27 | Karl Shapiro. “Auto Wreck” | Close reading and analysis of “Auto Wreck” | Read a provided material and prepare you questions and comments. |
28 | May Swenson. “Question” | Close reading and analysis of “Question.” | Read a provided material and prepare you questions and comments. |